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A writer, broadcaster and filmmaker, she has written and performed her own narration for the symphony. Jamie Bernstein, the eldest of composer and conductor Leonard Bernstein’s three children, is the author of Famous Father Girl: A Memoir of Growing Up Bernstein. At the end, the narrator forgives God for His flaws, and God forgives humankind. My father went to the heart of the problem, an argument that is not yet resolved.
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It cries, “Tin God, Your bargain is tin.” And there was no question more urgent in that part of the 20th century for Jews, or anyone else, for that matter, than how to affirm life in the face of evil and suffering. The narration, which he wrote for my mother to recite in English, is a contemporary argument with the Creator. The chorus sings the Kaddish prayer in Aramaic.
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“Kaddish” includes a lot of forces-a huge orchestra, a chorus, a kids’ chorus, a soprano soloist plus a narrator. The piece pits tonality, a striving toward harmony, against the atonal, a tendency toward dissonance and violence. My father says to God, “If You’re up there taking care of us, why is everything such a mess down here, and why are we so terrible to one another?” When my father wrote this symphony he was preoccupied with nuclear annihilation, the Cold War, the aftermath of World War II and the Holocaust-with how grisly human beings could be to one another. It’s a prime example of a thread that runs through so many of my father’s compositions that express a fist-shaking at the heavens, this argument with God, this tussle with the Creator. I experience my father’s Judaism through this music. 3: Kaddish” in 1963, and dedicated it to the memory of John F. MY FATHER, Leonard Bernstein, wrote his “Symphony No.
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Jeff Janeczko, curator, Milken Archive of Jewish Music That definition is too narrow: There have long been non-Jews involved in creating Jewish music, and as we all know, the audience for Jewish music is universal. There’s an old definition that Jewish music is music which is made by Jews, as Jews and for Jews. The idea of Jewish music is inconceivable without a Jewish community, but the music itself has broad reach.
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It includes popular and theatrical music that has various connections to the Jewish experience and a particular Jewish resonance. It encompasses folk traditions from the many parts of the world where Jews have lived: klezmer from Eastern Europe Sephardic songs from the Iberian Peninsula and Musiqa Mizrachit from Arab countries. Jewish music encompasses liturgy for the Sabbath, for the High Holy Days, and for festivals, all of which are different for the various branches of Jewish religious observance. Today, Jewish communities around the world showcase an astonishing diversity of musical styles and practices.
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Although there are few clues as to what it sounded like in ancient times, we know that music formed an essential part of ritual and daily life in early Jerusalem. Jewish music is modern and ancient, sacred and secular, communal and personal, universal and particular.